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In Our Migrant Souls, the Pulitzer Prize–winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now. Composed as a direct address to the young people who identify or have been classified as “Latino,” Our Migrant Souls is the first account of the historical and social forces that define Latino identity. Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of “Latino” as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division―a story as old as this country itself.
One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.
A Master's Thesis from 1939 by Iris Amelia Bayha covering the views of educators on vocabulary building. The results of vocabulary tests given to fifth-grade Mexican children aid in building vocabulary, and a summary and conclusion of the findings
It's 2017, and Olga and her brother, Pedro “Prieto” Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan’s power brokers. Despite their alluring public lives, behind closed doors things are far less rosy. Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Xochitl Gonzalez’s Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream―all while asking what it really means to weather a storm.
L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters - Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers - are blindsided and left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.
Bad Mexicans tells the dramatic story of the magonistas, the migrant rebels who sparked the 1910 Mexican Revolution from the United States. Led by a brilliant but ill-tempered radical named Ricardo Flores Magón, the magonistas were a motley band of journalists, miners, migrant workers, and more, who organized thousands of Mexican workers―and American dissidents―to their cause. Determined to oust Mexico’s dictator, Porfirio Díaz, who encouraged the plunder of his country by U.S. imperialists such as Guggenheim and Rockefeller, the rebels had to outrun and outsmart the swarm of U. S. authorities vested in protecting the Diaz regime.
Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories—moments of joy and oblivion—and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? An extraordinary work of creative imagination, it insists that we look long and steadily at the world we have inherited and the world we have made—a world full of ghostly shadows and flashing moments of truth.
When a Mariachi star transfers schools, he expects to be handed his new group's lead vocalist spot―what he gets instead is a tenacious current lead with a very familiar, very kissable face. Canto Contigo is a love letter to Mexican culture, family and legacy, the people who shape us, and allowing ourselves to forge our own path. At its heart, this is one of the most glorious rivals-to-lovers romance about finding the one who challenges you in the most extraordinary ways.
Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member's girlfriend, and a candidate for U.S. Congress. She's ridden on Air Force One and in G-rides. Living a life of contradictory extremes often comes with the territory when you're a "First and Only." It also comes at a price.
With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles.
A Master's Thesis from 1941 by Grace Lee Howerton discussing the geographical and physical aspects of the Mexican American community of children. It will include the social and religious life of this community
In this groundbreaking book, author Margaret Cantú-Sánchez takes on the U.S. educational system. By analyzing literature, Cantú-Sánchez reveals how Latina/Chicana protagonists and students negotiate this conflict through a mestizaje of epistemologies—blending elements of both home and school cultures within the third space of education. Cantú-Sánchez utilizes an interdisciplinary approach, deploying critical race thory, Chicana third-space feminism, and other pedagogical theories like sentipensante (a sensing/thinking) pedagogy employed by education scholar Laura Rendon, among others.
Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolizing a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation – democratic, individualistic, forward-looking. Today, though, America hasa new symbol: the border wall. In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history – from the American Revolution to the War of 1898, the New Deal to the election of 2016. For centuries, he shows, America’s constant expansion – fighting wars and opening markets – served as a “gate of escape,” helping to deflect domestic political and economic conflicts outward.
Todd Miller has been reporting from international border zones for over twenty-five years. In Build Bridges, Not Walls, he invites readers to join him on a journey that begins with the most basic of questions: What happens to our collective humanity when the impulse to help one another is criminalized? A series of encounters—with climate refugees, members of indigenous communities, border authorities, modern-day abolitionists, scholars, visionaries, and the shape-shifting imagination of his four-year-old son—provoke a series of reflections on the ways in which nation-states create the problems that drive immigration, and how the abolition of borders could make the world a more sustainable, habitable place for all.
Faced with the prospect of being separated from each other, a young boy and his family make the difficult decision to leave their home and begin a journey filled with uncertainty. Historians estimate that between 1930 and 1940, two million people living in the United States were forcibly removed and sent to live in Mexico. Telling this story from a child's perspective, award-winning author Claudia Guadalupe Martínez lyrically recounts this often-overlooked period of United States history--Mexican Repatriation. Emotive illustrations by Magdalena Mora convey this poignant tale of longing for home and permanence, which reflects many of the dreams and hopes of people today.
Twelve-year-old Adela “Addie” Ramírez has a big decision to make when her stepfather proposes adoption. Rosie and Pancho, her paternal grandparents and former professional wrestlers; Eva and Maggie, her older identical twin cousins who love to spar in and out of the ring; Uncle Mateo, whose lucha couture and advice are unmatched; and Manny, her biological father, who’s in the midst of a career comeback. As luchadores, the Bravos’s legacy is strong. But being part of a family is so much harder—it’s about showing up, taking off your mask, and working through challenges together.
A Master's thesis by Catherine Moran from 1939. This looks at the problem surrounding oral language activities centering around the social studies, literature, and bar training exercises including indoor and outdoor play.
A “stunning” YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home. Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter.
Pedro Martín has grown up hearing stories about his abuelito—his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn't mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and sisters and the house is crowded enough! Still, Pedro piles into the Winnebago with his family for a road trip to Mexico to bring Abuelito home, and what follows is the trip of a lifetime, one filled with laughs and heartache. Along the way, Pedro finally connects with his abuelito and learns what it means to grow up and find his grito.
October 12: 8pm Closure (Midsemester Break)
October 13: 8pm Closure (Midsemester Break)
November 25: 8pm Closure (Thanksgiving Break)
November 26 - 30: Thanksgiving Closure